Countries

REVIEW Laura Citarella’s Thrilling And Mysterious ’Trenque Lauquen’

By Jessica Wax-Edwards 05 December, 2023

Brazil Argentina Caribbean Colombia Diaspora Venezuela

Nunca Tarde – Album round-up (LuizGa & Edgar Valente, Ara Tokatlian & Enrique Villegas, Classico Latino & Fruko, Mito & Comadre and more, more, more…)

By Mark Sampson 02 December, 2023

REVIEW ‘Pictures of Ghosts’: Kleber Mendonça Filho‘s Ode To Cinema

By Andy Cumming 01 December, 2023

‘Transforming Fear Into Love’: Lila Avilés on Her Oscar-Nominated Film Tótem

By Lia Gomez-Lang 26 November, 2023

REVIEW Beautiful and Devastating: Lila Avilés’ Tótem

By Lia Gomez-Lang 26 November, 2023

Probing Injustice And Social Inequality In ’Lost In The Night’: An Interview With Mexican Director Amat Escalante

By Jessica Wax-Edwards 22 November, 2023

A toxic agroeconomy: big agriculture’s impact in Argentina causes public health disasters

By Pablo Andrés Bobadilla Echenique 16 November, 2023

Sight Beyond the Grammys: An Interview with Dawer X Damper

By Marco Pisciotti 15 November, 2023

Piecing Together the Puzzle of Birth Identity in Argentina

By Izzy Hollingdale 11 November, 2023

Together We Heal: Women, Art and Resistance

By Fi Gilligan, 10 November, 2023

Argentina Chile Mexico

First acts announced for La Linea 2024

By Mark Sampson 08 November, 2023

REVIEW ‘The Eternal Memory’: New Chilean Doc Reflects On The Bond Between Identity And Memory

By Maly Polotto 05 November, 2023

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