Mexico REVIEW Del Toro’s ‘Pinocchio’: Escaping The Puppet Masters Strings Of Obedience By Fernanda Franco 24 November, 2022
Bolivia ‘Nature Will Always Come Back To Life’: Bolivian Director Alejandro Loayza Grisi Talks Climate Change And His Award-Winning Film ’Utama’ By Hanno Jewell 23 November, 2022
Costa Rica ‘People Are Sometimes Afraid Of Their Own Desires And This Can Be Confusing.’: Nathalie Álvarez Mesén On Her Film ‘Clara Sola’ By Lia Gomez-Lang 18 November, 2022
Colombia REVIEW ‘Los Reyes Del Mundo’: An Epic Tale of Modern Colombia By Rebecca Wilson 16 November, 2022
Mexico Argentina REVIEW ‘Robe of Gems’: Arresting Debut Looks at Three Interconnected Women Amidst Mexico’s Drug-Trafficking Arena By Fernanda Franco 04 November, 2022
Argentina REVIEW ‘Argentina, 1985’: a Thrilling Retelling of Argentina’s Historic Post-dictatorship Trial By Sarah Jacobs 01 November, 2022
Chile REVIEW ‘1976’: A Poignant Tale of an Alienated Woman During Chile’s Oppressive Military Regime By Fernanda Franco 24 October, 2022
Argentina ‘I Had No Fear… This Story Had To Be Told’: Ricardo Darín on ‘Argentina, 1985’ By Sofia Serbin de Skalon 20 October, 2022
Haiti Kanaval: Three Centuries of Haitian History Told Through a Carnival Lens By Sarah Jacobs 10 October, 2022
Bolivia ‘Utama’ Is A Moving and Thought-Provoking Portrait of a Bolivia Haunted By Modernity and Climate Change By Hanno Jewell 07 October, 2022
Bolivia REVIEW Bolivian drama ’The Visitor’ movingly explores a fragile father-daughter relationship By Maly Polotto 28 September, 2022
