Cuba

Cuba Brazil Diaspora Mexico

Pianissimo!

By Mark Sampson 26 September, 2023

Leslie Sainz Have You Been Long Enough At Table Tin House

Identity Runs Deep in Leslie Sainz’s Have You Been Long Enough at Table

By Freddie Stone 20 September, 2023

Brazil Chile Cuba Diaspora Uruguay

Nunca Tarde – Album round-up (Xis, Harold López Nussa, Valeria Matzner, Almanaque and more)

By Mark Sampson 11 September, 2023

Brazil Colombia Cuba Diaspora Ecuador Venezuela

Nunca Tarde – Album round-up (Maritza Montero, Luiza Lin, Ane Díaz, Sammy Figueroa, Humazapas and more)

By Mark Sampson 27 July, 2023

Brazil Argentina Bolivia Chile Colombia Cuba Diaspora Mexico Peru Venezuela

Prezident Markon’s Singles Round-Up (Ana Carla Maza, Luzmila Carpio, Calle Mambo, Rizomagic, Ane Diaz, Sonoras Mil and more)

By Mark Sampson 14 July, 2023

Brazil Cuba Diaspora Venezuela

REVIEW Gafieira Rio Miami, bringing back samba

By Mark Sampson 26 June, 2023

Brazil Cuba Diaspora Dominican Republic Ecuador Peru Puerto Rico

REVIEW Nunca Tarde – Album round-up (Moriah Plaza, Bala Desejo, Eliades Ochoa, Yasser Tejeda and many more)

By Mark Sampson 13 June, 2023

Brazil Argentina Chile Colombia Cuba Diaspora Mexico Panama Venezuela

Prezident Markon’s Singles Round-Up (Som Imaginário, Telmary, Novalima, Santafaria, Ana Tijoux, Roberto Fonseca and more)

By Mark Sampson 21 May, 2023

REVIEW Jane Bunnett & Maqueque – Playing With Fire

By Mark Sampson 10 March, 2023

‘The Tribe’ by Carlos Manuel Álvarez: A Cuban Autofiction

By Serena Chang 14 November, 2022

REVIEW Cinema Restored: ‘The Last Supper’ at the Barbican

By Lia Gomez-Lang 17 September, 2022

Argentina Brazil Chile Cuba Mexico

Best New Songs (Pascuala Ilabaca, Tuyo, Los Mejillones Tigre, Loli Molina & Chancha Via Circuito, El Individuo, Rebolú, La Chinaca, Canto Cego and paltamango)

By Amy Hargreaves Smith, Adailton Moura, Russ Slater and Gina Vergel 14 June, 2022