Brazil

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Best Films of 2022

By S&C Team 30 December, 2022

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Best Albums of 2022

By S&C Team 23 December, 2022

Argentina Brazil Colombia Mexico Peru Uruguay

Best Compilations & Reissues of 2022

By S&C Team 23 December, 2022

Argentina Bolivia Brazil Colombia Costa Rica Diaspora Mexico Peru Venezuela

Latin America Comes to Portugal at EXIB Musica Ibero-American Showcase

By Josef Dobraszczyk 23 December, 2022

REVIEW Biopic of Leftist Revolutionary Marighella Is A Shot In The Arm for Anti-Authoritarianism

By Charlotte Peet 16 December, 2022

Brazil Colombia Diaspora Peru

Prezident Markon’s Singles Round-Up (Lucas Santtana, Joe Bataan, João Selva, Bio Ritmo, Alea, Xaman X and more)

By Mark Sampson 16 December, 2022

‘Some of the Greatest Footballers and Journalists Talk as Though Pelé Never Existed’: Andrew Downie on the World Cup that Transformed Football

By Will Huddleston 14 December, 2022

Introducing Henrique Rocha, Injecting New Life Into One of Brazil’s Eldest and Most Iconic Genres

By Russ Slater 09 December, 2022

‘Dance Exists Because It Moves, Literally, Around the World’ – An Interview with Sadler’s Wells About Their Latest Brazilian Show and the Future Of Dance

By Sofia Serbin de Skalon 02 December, 2022

On The Margins – Brazilian Music Round-Up (Bruno Berle, Bella, Naná Vasconcelos & Itamar Assumpção, Black Pantera, M.Takara & Carla Boregas and More)

By Andy Cumming 23 November, 2022

REVIEW Letieres Leite & Orkestra Rumpilezz – Moacir de Todos os Santos

By Mark Sampson 11 November, 2022

In Memoriam: Gal Costa

By Russ Slater 10 November, 2022

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