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Latin America Comes to Portugal at EXIB Musica Ibero-American Showcase

By Josef Dobraszczyk 23 December, 2022

Bituin are Building Their Identity Through Colombian Jazz

By Rebecca Wilson 22 December, 2022

The Musical World of Ernesto Cavour, Bolivia’s Charango Maestro

By David Fegan 22 December, 2022

REVIEW Biopic of Leftist Revolutionary Marighella Is A Shot In The Arm for Anti-Authoritarianism

By Charlotte Peet 16 December, 2022

Brazil Colombia Diaspora Peru

Prezident Markon’s Singles Round-Up (Lucas Santtana, Joe Bataan, João Selva, Bio Ritmo, Alea, Xaman X and more)

By Mark Sampson 16 December, 2022

‘Some of the Greatest Footballers and Journalists Talk as Though Pelé Never Existed’: Andrew Downie on the World Cup that Transformed Football

By Will Huddleston 14 December, 2022

Colombia Diaspora

Akolá Tambó: Trailblazers of Bullerengue in London

By Silvia Rothlisberger 14 December, 2022

In Hindsight: An Honest Review of Festival Cordillera (Part II)

By Marco Pisciotti 14 December, 2022

Diaspora Mexico

Poetry, Politics and Prickly Pears: A Review of Vibiana Aparicio-Chamberlin’s ‘Chicana on Fire’

By Jimmy Centeno 14 December, 2022

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Latin Jazz Ensemble Colectiva Challenge Notions of ‘Feminity’ In Exhilarating New Video

By Russ Slater 12 December, 2022

Introducing Henrique Rocha, Injecting New Life Into One of Brazil’s Eldest and Most Iconic Genres

By Russ Slater 09 December, 2022

New Sounds of Peru #24

By Ana Claudia Bendezu 06 December, 2022

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