Reviews

REVIEW ‘(Dis) Appear’: Preserving memory in post-dictatorship Argentina through private and public photographs

By Maly Polotto 29 June, 2023

Brazil Cuba Diaspora Venezuela

REVIEW Gafieira Rio Miami, bringing back samba

By Mark Sampson 26 June, 2023

REVIEW Thais Fujinaga’s ‘The Joy of Things’ unveils the hidden side of happiness

By Fernanda Franco 24 June, 2023

Brazil Cuba Diaspora Dominican Republic Ecuador Peru Puerto Rico

REVIEW Nunca Tarde – Album round-up (Moriah Plaza, Bala Desejo, Eliades Ochoa, Yasser Tejeda and many more)

By Mark Sampson 13 June, 2023

REVIEW Las Áñez Paralelas

By Rebecca Wilson 15 May, 2023

The Cow Who Sang a Song into the Future

REVIEW ‘The Cow Who Sang a Song into the Future’: A Grim Warning About Climate Change

By Carole Concha Bell 24 April, 2023

REVIEW Lou Piensa & Mental Abstrato – Still In Transit

By Mark Sampson 25 March, 2023

REVIEW Jane Bunnett & Maqueque – Playing With Fire

By Mark Sampson 10 March, 2023

Chile Colombia Mexico

REVIEW Music for responsible chockaholics (Vivienne Aerts – Typuthâng)

By Mark Sampson 08 March, 2023

Mexico Venezuela

REVIEW ‘The Box’: Brutal Coming-Of-Age Story Examines What It Takes To Survive On The Perilous Migrant Routes Of Latin America

By Amy Hancock 07 March, 2023

REVIEW Sweet Harmonies (Tagua Tagua, Rogê)

By Mark Sampson 03 March, 2023

REVIEW Paco De Lucía: The Montreux Years

By Mark Sampson 24 February, 2023

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