Jawari’s fascinating Indo-Latin debut

In the often problematic categorisation of ‘world music’, eclecticism can sometimes take priority over the pursuit of great music. But Road Rasa by Jawari is a perfect example of how diverse influences can combine in a way that feels valid but also necessary. With artists that bring deep knowledge of each of the traditions represented in the record, Jawari’s first album crafts a sound that is truly fascinating. 

At the heart of the project is contemporary sitarist and composer Tommy Khosla. But, while Khosla’s sitar work is central, readers of Sounds and Colours may initially be drawn to this record by the presence of another founding member. Gregorio Merchán is a native of Colombia and Latin Grammy-winning percussionist, who adds his distinct rhythmic foundation to Road Rasa by way of the traditional Caribbean tambora drum.  

Merchán, who has worked with Colombian rock legends Aterciopelados and Latin crossover behemoth Shakira, brings decades of experience as a musician – spanning Colombia, Latin America, the US, and Europe. His is typical of the range of influences that lends Road Rasa an unmistakably global pulse. 

The album’s sonic landscape is an intricate tapestry woven from Indian classical music, Latin jazz, Latin American sounds, spoken word, and electronic textures. The track moves চলো (“let’s go” in Bengali) is a prime example of this synthesis, merging North Indian and Latin American musical motifs with a jazz-inflected fluidity. Meanwhile, RASA रसः builds from a delicate acoustic guitar introduction into a sweeping crescendo behind Khosla’s expressive sitar lines. Throughout, Lagnajita Mukhopadhyay’s spoken-word storytelling adds depth and emotional resonance. 

More than just an impressive fusion of global sounds, Road Rasa thrives on the interplay between its musicians. Khosla leads melodically while Merchán weaves the pulse, and Taylor Frost’s guitar, Billie Sophoclides’ saxophone, and the electronic contributions of Somatic ensure that each track unfolds with rich textures and unexpected turns. The combination makes for music that is both expansive and deeply personal. 

Limited to just 500 vinyl pressings, the album’s physical release is accompanied by bold and distinctive artwork from ceramic artist Nehal Aamir, whose work has been featured on BBC Radio 4’s Front Row and exhibited at the National Festival of Making.  

Jawari establishes itself here as a boundary-pushing collective, blending tradition and innovation with effortless grace. This is music that transcends its roots without disregarding them – an urgent and timeless jazz experience.  

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