Brazilian Films

REVIEW ‘We Are Guardians’: A Vital Tale Of Defiance And Destruction

By Fernanda Franco 28 October, 2023

REVIEW Thais Fujinaga’s ‘The Joy of Things’ unveils the hidden side of happiness

By Fernanda Franco 24 June, 2023

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Best Films of 2022

By S&C Team 30 December, 2022

REVIEW Biopic of Leftist Revolutionary Marighella Is A Shot In The Arm for Anti-Authoritarianism

By Charlotte Peet 16 December, 2022

REVIEW Doc Thriller ‘The Territory’ Is A Dire Warning To Humanity

By Fernanda Franco 31 August, 2022

REVIEW ‘Dry Ground Burning’: A Dystopian Reflection of Brazil’s Contemporary Society

By Fernanda Franco 17 August, 2022

REVIEW ‘Transamazonia’: The Courage To Be Yourself In The Heart of the Amazon Rainforest

By Monica Martínez 18 July, 2022

‘Cinema Was An Important Refuge For A Kid Who Understood That The World Wasn’t a Safe Space For Being Queer’: An Interview with Brazilian Director Gustavo Vinagre

By Oleno Netto 27 June, 2022

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Sheffield DocFest launches 29th edition under new Head of Programmes Raul Niño Zambrano

By Sofia Serbin de Skalon 23 June, 2022

REVIEW ‘Mariner of the Mountains’: Karim Aïnouz’s Journey To Find Himself

By Monica Martínez 31 May, 2022

REVIEW Iconic Brazilian Queer Film ‘Madame Satã’ Celebrates Twenty Years

By Lia Gomez-Lang 28 May, 2022

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ICA’s Frames of Representation Film Festival Returns for Seventh Edition

By Sofia Serbin de Skalon 04 May, 2022

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