Brazil

‘Cinema Was An Important Refuge For A Kid Who Understood That The World Wasn’t a Safe Space For Being Queer’: An Interview with Brazilian Director Gustavo Vinagre

By Oleno Netto 27 June, 2022

Emicida, Criolo & Céu Join Forces To Promote Message of Inclusivity at João Rock Festival

By Andy Cumming 27 June, 2022

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Sheffield DocFest launches 29th edition under new Head of Programmes Raul Niño Zambrano

By Sofia Serbin de Skalon 23 June, 2022

Vinyl Campaign Launched for ‘Hidden Waters’, Our Compilation of Rio de Janeiro’s ‘Strange and Sublime Sounds’

By S&C Team 16 June, 2022

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Best New Songs (Pascuala Ilabaca, Tuyo, Los Mejillones Tigre, Loli Molina & Chancha Via Circuito, El Individuo, Rebolú, La Chinaca, Canto Cego and paltamango)

By Amy Hargreaves Smith, Adailton Moura, Russ Slater and Gina Vergel 14 June, 2022

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Francisco, el Hombre Revive Chico Buarque’s Classic Song of Resistance, ‘Roda Viva’

By Amy Hargreaves Smith 08 June, 2022

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Nunca Tarde – Album Round-Up (Dendê, Lobo Gris, Bruno Morais, El Leopardo, Jose Conde, Lucho Bermudez and more)

By Fidel Gutiérrez, Mark Sampson and Russ Slater 07 June, 2022

REVIEW Arthur Nogueira – Brasileiro Profundo

By Ana Clara Ribeiro 06 June, 2022

REVIEW Alaíde Costa – O Que Meus Calos Dizem Sobre Mim

By Brian Kiwanuka 06 June, 2022

REVIEW ‘Mariner of the Mountains’: Karim Aïnouz’s Journey To Find Himself

By Monica Martínez 31 May, 2022

REVIEW Iconic Brazilian Queer Film ‘Madame Satã’ Celebrates Twenty Years

By Lia Gomez-Lang 28 May, 2022

PREMIÈRE: Plurality and Preservation at the Heart of Brazilian Trio Behind ‘O Destino do Clã’

By Ana Clara Ribeiro 26 May, 2022

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