Brazil

REVIEW ‘Mariner of the Mountains’: Karim Aïnouz’s Journey To Find Himself

By Monica Martínez 31 May, 2022

REVIEW Iconic Brazilian Queer Film ‘Madame Satã’ Celebrates Twenty Years

By Lia Gomez-Lang 28 May, 2022

PREMIÈRE: Plurality and Preservation at the Heart of Brazilian Trio Behind ‘O Destino do Clã’

By Ana Clara Ribeiro 26 May, 2022

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Prezident Markon’s Singles Round-Up (Tim Bernardes, Amai Kuda et Les Bois, Bruno Berle, Afro-Andean Funk, Sessa and more)

By Mark Sampson 26 May, 2022

On The Margins – Brazilian Music Round-Up (Sávio de Queiroz, Bebé, Paulo Santos, Paula Rebellato, Voluntários da Patria And More)

By Andy Cumming 25 May, 2022

Captain Planet, Zuzuka Poderosa & Raphael Futura – ‘Moqueca’

By Gina Vergel 25 May, 2022

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Best New Songs (Lucrecia Dalt, Criolo, Solo Fernández & Diego Raposo, Tripa Seca, M.A Studio, Victória dos Santos)

By Amy Hargreaves Smith, Jenna Mackle & Russ Slater 24 May, 2022

Creating Ethical Clothing For All Body Types: A Conversation With Brazilian Fashion Designer Joao Maraschin

By Sofia Serbin de Skalon 21 May, 2022

Criolo Surprise Drops New Album, His Emotional Reaction to the Pandemic

By Russ Slater 19 May, 2022

I’m A Cicada and An Ant: An Interview with Marisa Monte

By Oleno Netto 19 May, 2022

A Uruguayan in Brazil: An Interview with Dany López

By Adailton Moura 16 May, 2022

Everything Was Like A Movie: An Interview with Mallu Magalhães

By Oleno Netto 12 May, 2022

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