Chile

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¡VIVA! Festival Returns to HOME Manchester for its 28th Edition

By Sofia Serbin de Skalon 24 February, 2022

Dementira Depicts Attempted Murder of Pinochet In Animated Video ‘El Melocotón’

By David Bugueño 22 February, 2022

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On Our Radar (Ava Rocha, Punku, Bostich, Tapioca, Buh Records, Phuyu y la Fantasma and more)

By Russ Slater 21 February, 2022

Victimhood, Responsibility and Regrowth in Netflix’s ‘A Sinister Sect: Colonia Dignidad’

By Eli McClain 08 February, 2022

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On Our Radar (Julianna & Matias Aguayo, Chicos Muy Ricos, TOB TOB, Rabo de Galo & Ubunto, and Pleura)

By Russ Slater 04 February, 2022

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Best Films of 2021

By S&C Team 29 December, 2021

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Best Albums of 2021

By S&C Team 22 December, 2021

REVIEW ‘Revolutionary Dreams’: New Film Offers First-hand Account of Repression in Chile During Pinochet’s Dictatorship

By Chris Paul 19 December, 2021

Rubio Expresses her Sensational Edge on ‘Mango Negro’

By Jeanette Hernandez 16 December, 2021

The Enduring Relevance of Nueva Canción: Naomi in Blue Soundtracks Chile’s Protest with Nostalgic Folk Ode

By Charis McGowan 15 December, 2021

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On Our Radar: New Music from Maribel Tafur, Cameio, Susobrino, Deekapz and Rizomagic

By Russ Slater 25 November, 2021

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Templo Animal Announce Third Volume of ‘Emerging Electronic Music from Latin America’

By Russ Slater 25 November, 2021

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