Brazil Argentina Colombia Mexico ICA’s Frames of Representation Film Festival Returns for Seventh Edition By Sofia Serbin de Skalon 04 May, 2022
Puerto Rico REVIEW ‘Without Prescription’: new Puerto Rican film highlights the importance of being open about mental health By Izzy Hollingdale 02 May, 2022
Mexico REVIEW ‘Prayers for the Stolen’: A Haunting Journey of Friendship and Adolescence in the Mexican Mountainside By Amy Hancock 13 April, 2022
Brazil REVIEW ‘Private Desert’: An Antidote for Contemporary Hate Speech By Monica Martínez 16 March, 2022
Argentina Brazil Chile Colombia Costa Rica Dominican Republic Mexico Peru ¡VIVA! Festival Returns to HOME Manchester for its 28th Edition By Sofia Serbin de Skalon 24 February, 2022
Peru REVIEW Genre-Twisting the Migrant Experience: The Dazzling ‘Lina from Lima’ By Lia Gomez-Lang 24 November, 2021
Brazil REVIEW ‘Medusa’ Makes a Political Statement with Horror and Humour By Oleno Netto 22 November, 2021
Mexico REVIEW ‘A Cop Movie’ Looks at What it Means to be a Police Officer in Mexico City By Rafael F. Zafra 04 November, 2021
Argentina “Upper middle-class families could have a son or a daughter who had also been ‘disappeared’.” – Andreas Fontana on his Argentine Thriller ‘Azor’ By Sofia Serbin de Skalon 03 November, 2021
Mexico REVIEW Thinking With Other Senses: Sense-Searching Unaided By Film Conventions in Three Short Films By Fernando G. Herrero 28 October, 2021
Argentina REVIEW ‘Azor’: An Unsettling Political Thriller Set in Military-led 1980s Argentina By Amy Hancock 26 October, 2021
