Uruguay

Brazil Chile Cuba Diaspora Uruguay

Nunca Tarde – Album round-up (Xis, Harold López Nussa, Valeria Matzner, Almanaque and more)

By Mark Sampson 11 September, 2023

the hand that feeds you mercedes rosende

‘The Hand That Feeds You’: An Unsparing Portrait of Montevideo

By Jesse Rothbard 08 August, 2023

Brazil Argentina Uruguay

Searching for the disappeared of the Southern Cone dictatorships

By Tricia Feeney 05 May, 2023

Argentina Brazil Colombia Mexico Peru Uruguay

Best Compilations & Reissues of 2022

By S&C Team 23 December, 2022

Zach Phillips Releases Free 100-Track Compilation of Uruguayan Music

By Russ Slater 04 July, 2022

A Uruguayan in Brazil: An Interview with Dany López

By Adailton Moura 16 May, 2022

REVIEW Jorge Drexler – Tinta y Tiempo

By Adam Fry 10 May, 2022

Argentina Brazil Caribbean Colombia Ecuador Guyana Uruguay Venezuela

Prezident Markon’s New Singles Round-Up (Jorge Drexler, Nidia Góngora, Quantic, Lagartijeando, Combo Chimbita, Islandman, Vana Liya and more)

By Mark Sampson 15 July, 2021

The front cover of Love Poems by Idea Vilariño

The Beauty of Simplicity: Idea Vilariño, One of Uruguay’s Most Important Poets

By Micaela Moya 23 April, 2021

PREMIÈRE: New Music by Uruguayan Downtempo Producer Xanducero on Fértil Discos

By David Bugueño 26 March, 2021

Alelí (dir. Leticia Jorge Romero)

REVIEW ‘Alelí’: A Father’s Death Sends His Heirs into a Downward Spiral in this Uruguayan Comedy

By Jorge Sarasola 01 March, 2021

Photo of Carolina de Robertis by Pamela Denise Harris

“Language is the Crucible of Power”: An Interview with Carolina de Robertis

By Serena Chang 03 February, 2021

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