Brazil’s Ava Rocha Releases New Album of Peerless Pop Invention (Free D/L)

By | 30 March, 2015

The tag of “post-tropicália” has never felt more apparent that on the latest release from Ava Rocha. Ava Patrya Yndia Yracema is the second album from the Rio-born singer and offers 12 tracks of astonishing inventiveness and originality. At times the music recalls classic tropicália, as on the Caetano-esque orchestrations of “O Jardim” or “Herética”, at other times it can be abrasive as with the direct, post-punk anti-police overtones of “Auto das Bacantes”. Then there’s the psych-pop of “Transeunte Coração”, “Beijo No Asfalto” with hints of Marcos Valle’s 70s jazz or the Tom Zé/Jorge Ben hybrid of “Uma”.

What is certain on Ava Patrya Yndia Yracema is that whichever way you look at it this is an album bristling with ideas, but also one that somehow fits within the pop canon. There’s a myriad of emotions on offer but it’s always done with a flair for melody and soul, and with Rocha’s distinctive voice guiding the whole project. It’s an ambitious album and shows that Rocha has grown into one of Brazil’s most interesting artists, something that was only hinted at on her debut album Diurno in 2011.

The majority of songs are written by Ava Rocha and her partner Negro Leo – another artist well worth checking out – alongside contributions from Jonas Sá, Domenico Lancellotti and Marcelo Callado (of Do Amor and Caetano Veloso’s Cê band). What unites these songwriters – along with the musicians on the album – is that they are all based in Rio de Janeiro, a city that currently has an exciting experimental music scene, a scene that is harnessed to the full on this extraordinary disc.

You can download Ava Patrya Yndia Yracema for free from avarocha.com (just click on the album cover)

NB: Oh, and if you were wondering about Rocha’s name, then yes, she is the daughter of famed Brazilian film-maker Glauber Rocha. But don’t let that be the reason you listen to this album, Ava is a talent in her own right.

Watch the video for “Você Não Vai Passar” below:


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